Socio-Cultural Dynamics and Women’s Identity in Post-Colonial Kenya: An Interrogation of Marjorie Oludhe Macgoye's Coming to Birth and the Present Moment

Abstract

Published two decades after Kenya's independence, Marjorie Oludhe Macgoye's Coming to Birth and The Present Moment are post-colonial writings that explore the struggle for both national and personal identity. Through the eyes of Marjorie Oludhe Macgoye, the mentioned texts explore the construction of women's identity through social and cultural dynamics. Leaning on the Feminist Theory that seeks to provide an understanding of the women's and girls' situations, roles and responsibilities in the societies they live in, within the cultural and societal dynamics and expectations, this paper seeks to analyze the social and cultural dynamics in the post-colonial societies the two texts are set in, in relation to the individual identity of the female characters. The paper has the objective of interrogating how the social and cultural dynamics work to shape the identity of female characters. Consequently, this paper concludes that the identity of the female characters in Coming to Birth and The Present Moment is shaped by societal social and cultural dynamics and norms. The female characters, through self-autonomy and active participation in societal aspects, reassert themselves in a bid to reconstruct and accord themselves a new image, different from that which had been shaped and distorted, given the patriarchal socio-cultural dynamics. The paper concludes that the female characters in Coming to Birth and The Present Moment remain resolute to eventually egress from the subjective societal demands and dictates to attain cultural and social independence.